|
|
|
A Nuremberg Lady in Everyday Painting ID:: 42314
|
Albrecht Durer A Nuremberg Lady in Everyday mk168
Pen and ink on paper with Water-color
284x130mm
|
|
|
|
|
|
|
|
A Nuremberg lady Dressed to go to Church Painting ID:: 42315
|
Albrecht Durer A Nuremberg lady Dressed to go to Church mk168
317x172mm
|
|
|
|
|
|
|
|
The Prodigal Son Amid the Swine Painting ID:: 42316
|
Albrecht Durer The Prodigal Son Amid the Swine mk168
248x190mm
|
|
|
|
|
|
|
|
The Prodigal Son Amid The Swine Painting ID:: 42317
|
Albrecht Durer The Prodigal Son Amid The Swine mk168
248x190mm
|
|
|
|
|
|
|
|
Hercules Killing the Molionides Painting ID:: 42318
|
Albrecht Durer Hercules Killing the Molionides mk168
395x285mm
|
|
|
|
|
|
|
| Prev Artist Next Artist
|
|
Albrecht Durer
|
b.May 21, 1471, Imperial Free City of Nernberg [Germany]
d.April 6, 1528, Nernberg
Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions.
His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since. |
Related Artists::. | Johann Evangelist | Jan Vermeer | Ferdinand Keller | |
|